A 48-hour leave from reform school brings life lessons for the teenage protagonist of “7 Virgins,” a street-kids piece that combines energy and delicacy to striking and subtle effect. The best Spanish movie of its type since Fernando Leon’s 1998 “Barrio,” pic rises above genre standard with scrupulous attention to detail and an engaging central tandem. Downsides are lapses into sentimentality and visual deja vu, and an occasional inability to exploit the emotional potential. “Virgins” should snuggle up in plenty of fest beds, with arthouse interest a certainty in Spain-friendly territories.

Sixteen-year-old Tano (Juan Jose Ballesta from “Pellet” and “4th Floor”) is picked up from the Seville reform school by his ultra-taciturn brother Santacana (Vicente Romero), who warns Tano to avoid trouble. But once Tano gets back in touch with his irrepressible buddy, wide-grinning Richi (Jesus Carroza), within minutes, they are on the run in a shopping mall after stealing a wallet to buy a TV set — a wedding-gift for Santacana.

Patri (Alba Rodriguez) makes excuses to her mother and gets the bus into Seville to spend time with Tano. They have sex in attractive silhouette, after which Tano and Richi hang out at a swimming pool with members of Tano’s former gang.

Soon, Patri leaves Tano, which plunges him into depression. When the gang trashes a local bar, Tano looks on from inside a car, not wanting trouble — but he ends up battering a man to within an inch of his life.

Ballesta, the only pro thesp among the juveniles in an otherwise debutante cast, inhabits the part fully across a range of moods. Carroza is a real discovery, in what is in some ways the more interesting role. He plays Richi as a boy whose confident swagger and fetchingly roguish grin mask a basic insecurity.

None of the characters is very likeable, as scripters Rafael Cobos Lopez and Alberto Rodriguez (who also directed) play realism over pity. Still, there is the occasional mawkish moment, as when Tano pauses to sympathize with a puppy in a cage.

The dodgiest artistic decision is to incorporate an image of escape that could be interpreted as a visual allusion to 9/11, of a plane apparently flying into a tower but then emerging on the other side.

Dialogue is often the insubstantial, rat-a-tat vernacular of street kids wanting to be men, but reflective moments shatter the veneer of teen machismo to expose the fragility beneath.

Bleached-out lensing successfully reps the barrio atmospherics and the blistering temperatures of summertime Seville, supplying a vision of the city that’s far removed from the tourist guides. Music is not the regular hip-hop fare of many teen rebel pieces, but an enjoyable combination of garage band and jazz, with occasional North African inflections.

Pic is heavy with street dialect that could create problems even for Spanish auds. Title refers to an Andalucian superstition involving candles, a mirror and clairvoyance, a motif that appears throughout.
(variety.com)

http://www.nitroflare.com/view/6ED622FC9C43855/ddx-7.virgenes.xvid.avi
http://www.nitroflare.com/view/10A9BB49B191482/Subs.rar

http://keep2s.cc/file/8a3b545710464/ddx-7.virgenes.xvid.avi
http://keep2s.cc/file/dfaa169b39084/Subs.rar

Language(s):Spanish
Subtitles:English , Spanish vobsubs , English MicroDVD

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A young couple, passionately in love, in a mutual giving action, exchange their sexual identity.

http://www.nitroflare.com/view/A712B85AB7ABE61/Amar.avi
http://www.nitroflare.com/view/07178F8B7440894/Amar.idx
http://www.nitroflare.com/view/265003315F8552C/Amar.rar

http://keep2s.cc/file/b55598b502406/Amar.avi
http://keep2s.cc/file/5c40cccb120a4/Amar.idx
http://keep2s.cc/file/4c370f433d092/Amar.rar

Language(s):Spanish
Subtitles:English, Italiano, Portuguese, Deutsch, Francais

Plot summary:
Leo (Angel Jové), a psycopath and a silent, obsessed and deeply disturbed man, concieves a progressive fascination for Bilbao
(Isabel Pisano), a striptease ballerina, who to reach the end of the month, she has to be a prostitute. Leo studies her movements and ends up kidnapping her, as if she was his object to add to his erotic collection.

http://www.nitroflare.com/view/86FD590EF0E4951/Bilbao.Vertigen.DVDRip.avi

“http://keep2share.cc/file/522080a04afe5/Bilbao.Vertigen.DVDRip.avi

Eng srt:

http://www.opensubtitles.org/es/subtitles/4695060/bilbao-en

no pass

Ethiopia is a Christian island surrounded by Muslim countries and Harar is other island within that island: a difficult city for sorting, the fourth holiest city of Islam with almost a hundred mosques within its walls, and the place where the poet Arthur Rimbaud chose to refuge in his flight from Europe. Here women control on the street the sale of khat, a plant with stimulant powers that sets the pace of Harar. Consumption, ritualized in everyday life of the city, provides its inhabitants a unique identity

http://www.nitroflare.com/view/E4BF1C04FFF8379/Africa%2C_religion_and_women_%28Full_Documentary%29.mkv

http://keep2s.cc/file/1a9dc418cf3d7/Africa%2C_religion_and_women_%28Full_Documentary%29.mkv

Language(s):English, Ethopian
Subtitles:none

Plot : Canciones de amor en Lolita’s Club (2007) is an erotic thriller, in which sex and brutality are mixed in a story of twin brothers, one a violent police officer the other mentally challenged, both tragically involved with a prostitute in the bordello that gives the film its title.

http://www.nitroflare.com/view/A53C2DEB679AFD6/Canciones_de_amor_en_Lolitas_Club.avi
http://www.nitroflare.com/view/2B46B56BC161936/Canciones_de_amor_en_Lolitas_Club.idx
http://www.nitroflare.com/view/9D8A86D4EFF3775/Canciones_de_amor_en_Lolitas_Club.sub

“http://keep2share.cc/file/521f68b9d3f6f/Canciones_de_amor_en_Lolitas_Club.avi
“http://keep2share.cc/file/521f675967bec/Canciones_de_amor_en_Lolitas_Club.idx
“http://keep2share.cc/file/521f675865d31/Canciones_de_amor_en_Lolitas_Club.sub

Spanish audio with English subs

Quote:
Thirty-four-year-old Daniel is the first European with Down syndrome to have graduated from university. He starts a social services job in Seville, where he meets free-spirited co-worker Laura. They become fast friends, drawing the attention of both their co-workers and families. Their unique relationship becomes problematic when Daniel falls in love with her. But these rebellious souls refuse to bend to the rules and they find friendship and love as they have never known.

http://www.nitroflare.com/view/569EF1494F3C1A1/Yo%2C_tambien.avi
http://www.nitroflare.com/view/1803C7069C6CE83/ME_TOO.srt

http://keep2s.cc/file/2f3b9aae81ffc/ME_TOO.srt
http://keep2s.cc/file/20c60b8d3a275/Yo%2C_tambien.avi

Language:Spanish
Subtitles:English

from imdb:
For starters the audience must be aware of the fact that this is a film that is part of the DOGME 95 Movement, described as follows: ‘the goal of the Dogme collective is to purify film-making by refusing expensive and spectacular special effects, post-production modifications and other gimmicks. The emphasis on purity forces the filmmakers to focus on the actual story and on the actors’ performances. The audience may also be more engaged as they do not have overproduction to alienate them from the narrative, themes, and mood’ – superficial action such as murders, no special lighting and must be in color, film must be shot on location with hand held cameras, director must not be credited, etc. Given these restrictions the story and the action of DIAS DE BODA (‘WEDDING DAYS’) seem much more immediate and the lapses in fluidity of the story can be forgiven – to a point.

The story is a strange on: it is the wedding day of writer Rosendo (Monti Castiñeiras) and Sonia (Comba Campoy) and one confused family this is! Rosendo has been lovers with Sonia’s father Alejandro (Ernesto Chao) whose wife Josefina (Belén Constenla) is aware of her wealthy husband’s extramarital infidelities. Rosendo also has an ex-lover Nacho (Miguel Insua) who shows up at the wedding to create tension. Rosendo’s variegated love life seems to be centered on his need to succeed as one of Spain’s most famous writers and everyone in the wedding party is a means to an end for the conflicted Rosendo. A bit of superstition is added by Rosa (Rosa Alvarez) the lesbian sister of Sonia who reads much of the future in her Tarot cards. A film producer Fernando (Javier Gurruchaga) and his mistress Beatriz (Pilar Saavedra) add to the confusion with their own crusty relationship. As the wedding proceeds the various secrets come into the open and how the families of the couple and the Rosendo and Sonia respond to the confrontations that shape their futures winds the story to a somewhat confusing end.

Juan Pinzás is the writer and ‘director’ of this dysfunctional group and even more dysfunctional wedding and working within the confines of Dogme 95 he manages to come up with some fairly strong statements. The cast is strong enough to carry the ‘conceptual roles’ and there are many moments that are absorbing. This film is no competition with the other Dogme 95 films (‘Festen’, ‘Italian for Beginners’, ‘Mifune’s Last Song’, etc) but it does take some chances with subject matter that do make a difference. Filmed in Galicia with the language of the region, the end product on DVD is dubbed in the more often used form of Spanish and subtitled in English. This quirk detracts from the impact of the drama. Dogme 95 may have supporters but it is doubtful the concept will endure. It is an interesting experiment but takes a lot of concentration form the viewer to lift it from the level of telenovella! Grady Harp

http://www.nitroflare.com/view/826F96247DD6B86/Dias_de_voda_%28Wedding_Days%29%282002%29_Juan_Pinzas.avi
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http://www.nitroflare.com/view/F4C3F5B2888A2FA/Interviews_with_Dias_de_boda_crew.avi

http://keep2s.cc/file/84f79a4fde316/Dias_de_voda_%28Wedding_Days%29%282002%29_Juan_Pinzas.avi
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http://keep2s.cc/file/70ffc86f2dc24/Interviews_with_Dias_de_boda_crew.avi

Language(s):Galician
Subtitles:English (Vobsub)

In spite of the fact that there are no exact statistics available about the number of Muslims in Spain, it is estimated that about 25,000 individuals have converted to Islam out of whom 10,000 people have converted within the last five years. A great number of these people live in Andalusia (3,500) and Catalonia (3,000).The phenomenon of conversion has seen a lot of changes in this country throughout years. Some of the individuals involved, for instance, established leftist organizations in the Andalusia region in the 80s.
“Muslims and the Leftists” examines the formation of such organizations against the backdrop of political, social, and religious context of different times and ages up to now. The interviewees in this documentary discuss the status quo of such organizations in Spain, probe into the ways through which Islam has influenced the Leftist parties and their members in Spain, talk about how Islam has impacted on social and political lives in the country in general, and put into perspective the way the non-Muslim community views Muslims in modern Spain

http://www.nitroflare.com/view/74B29661A754829/Muslims_and_the_Leftists_%28An_In-depth_Insight_into_the_All-embracing_Ideologies_.mkv

http://keep2s.cc/file/ebc85063ed292/Muslims_and_the_Leftists_%28An_In-depth_Insight_into_the_All-embracing_Ideologies_.mkv

Language(s):English Spain Iran(persian)
Subtitles:English

Quote:
A month before he’s to marry Carmen, Antonio finds a photograph of a man with his arm on her shoulder. The photograph triggers jealousy: he questions Carmen, Carman’s friend Cinta, and his friend Luis who introduced him to Carmen. Cinta tells Antonio the man’s first name. Carmen tells him that the man meant nothing to her, and that the photograph was taken before she met Antonio. She loves Antonio and sets out to wipe the photograph from his mind through exuberant sex, but her ploy backfires and Antonio remains fixated. Slowly he finds out about the man, and about Carmen’s past. Will jealousy consume this couple or can they find a way to kill the green-eyed monster?

http://www.nitroflare.com/view/02FCA9BD1F6F9AA/Vicente_Aranda_-_%281999%29_Jealousy.mkv

http://keep2s.cc/file/525bc68703ea8/Vicente_Aranda_-_%281999%29_Jealousy.mkv

Language(s):Spanish
Subtitles:English

Quote:
Lila is a dreamy girl who can’t resign to accept reality as flat as she perceives it, hence she uses her imagination and her skills to modify it.

http://www.nitroflare.com/view/41F95184604A906/LILA.mkv

http://keep2s.cc/file/18ca77a8015bb/LILA.mkv

Language(s):None
Subtitles:None

Quote:
The initial idea for the film came from a specific reference to a cousin Angélica, in a scene from Ana and the wolves (Spanish: Ana y los lobos), director Carlos Saura’s previous work. In Ana and the wolves there is an inconsequential bit of dialogue that occurs in the private conversation between the family matriarch and the title character. The old woman speaks of a certain cousin Angélica who, as a small child, coquettishly played with one of her sons. Building on that allusion, Saura and writer Rafael Azcona developed a script about the childhood memories of a man now in his mid forties and his flirtatious cousin, Angélica, on whom he had a crush when he was ten years old. These memories become the lure for the protagonist’s reencounter of his long suppressed past.

The film is told as a labyrinthine montage of recreated memories that surface in the waking consciousness of the vanquished past that the protagonist cannot bring himself to confront. The problem for Saura was how to integrate past and present in a coherent narrative. A character who will continuously and seamlessly move form one period of time to another without resorting to the habitual flashback, but rather showing a past which is constantly being recaptured and lived as a present. The idea for this came from a phrase from Ramón del Valle-Inclán : ” Things are not as we see them, but as we remember them ”

Saura described Luis, the main character in the film a someone who was profoundly touched by the Civil War. Personally, Saura explained, “ I never agreed with the widespread idea that childhood years are the golden years of one’s life – maybe because of my own experiences. On the contrary, it seems to me that childhood is a particular uncertain period because, among other reasons, one’s childhood is lived almost entirely in an in-between world, and unfolds in a world of great fears and great needs of all kinds. And all of that leaves profound, indelible scars, particularly when one has to live in a hostile environment, like the main characters in the film.

The theme of interdicted history, the Spanish Civil War years as remembered by a child of Republican parents, Saura confronted the censors. The film’s sense of liberation comes from its directness in depicting a number of scenes in which the Nationalist cause is either ridiculed or presented as inspired more by petty animosity than by patriotic or religious fervor.

Given its political subject matter, the first two versions of the script were rejected outright by the censors. A third version was finally approved and, after some delays, the finished film was accepted for distribution without cuts.

Reception
Upon release, the film confronted a violent press reaction from the Spanish Right; La prima Angélica was to enter the public consciousness in ways no other Spanish film had.[5] It was to cause a national furor as well, which surpassed in its scope and intensity any of the previous scandals surrounding Spanish film during the Franco years. The Madrid opening was the occasion for violent audience reactions at a number of sessions. Newspapers reports of booing and shouting during the screening and of menacing protest in front of the theater only seemed to fan the flames of public controversy. It was about this time that the film was selected to be shown in the Cannes film festival to represent Spain. In the middle of the Cannes film festival, news came that the Madrid run of La prima Angélica had been further marred when masked youths broke into the projection booth and stole two reels of the film. This kind of notoriety created sympathy for the film at Cannes, yet the festival judges chose not to award Angélica any of the regular prizes. Instead, a special award was given to Saura. The Spanish conservative press attacked the award as part of a foreign conspiracy against Spain’s honor by praising the detractors of the heroic struggle for National liberation.

The producer, Elías Querejeta, was pressured to make some cuts, in particular to a scene in which a character who breaks his arm has it set in plaster in a fascist salute. Querejeta emphatically refused: ”Legally, I am the only one who can cut the film and I refuse to delete even a single frame”. The failure to persuade Querejeta to authorize cuts made the head of the information Ministry resign his post.

The film eventually returned to a more or less normal distribution in Spain, although newspapers attacks and protests at screenings continued. The Barcelona Theater where the film was having a successful run was firebombed in July 1974, and thereafter, domestic distribution of Cousin Angélica was suspended. Though never officially banned, the film posed a risk to theater owners fearful of repetitions of the incidents that hampered the Madrid and Barcelona showings. The controversy in Spain only intensified the interest of foreign audiences. Despite the climate of hostility that surrounded it, fueled by the notoriety of the scandal, La prima Angélica was Querejeta and Saura’s first formidable box office success, grossing eighty million pesetas by the end of 1975.

The film was also selected as the Spanish entry for the Best Foreign Language Film at the 47th Academy Awards, but was not accepted as a nominee.

http://keep2s.cc/file/0bfc2aa9dfa8e/Carlos_Saura_-_%281974%29_Cousin_Angelica.mkv

http://www.nitroflare.com/view/7134D75963C2DCE/Carlos_Saura_-_%281974%29_Cousin_Angelica.mkv

Language:Spanish
Subtitles:English

Elisa, vida mía is a 1977 Spanish drama film written and directed by Carlos Saura. The film stars Saura’s long-term companion and frequent collaborator, Geraldine Chaplin. She stars alongside, Fernando Rey who won the Best Actor award at the 1977 Cannes Film Festival for his performance.

Quote:
‘ELISA, VIDA MIA’ By Vincent Canby Published: March 11, 1983

NEAR the end of Carlos Saura’s ”Elisa, Vida Mia,” Fernado Rey, in the role of an aging ascetic named Luis, talks movingly to his daughter, Elisa (Geraldine Chaplin), about his youthful artistic pretensions. He recalls that he used to spend hours and days polishing a letter, getting the syntax right, refining the thoughts and elevating the tone. Now, he admits, he prefers the spontaneous letter, unrefined, natural, with crossed-out words. Luis has no interest in Art.

Yet Art is mostly what ”Elisa, Vida Mia” seems to be about.

There is, at its heart, a small, coherent story about the reunion of Luis and Elisa after a 20-year separation. The principal setting is Luis’s remote farmhouse in an extremely photogenic part of Castile, where he works on what seems sometimes to be his autobiography and sometimes a novel. The autobiography-novel consists mostly of Luis’s fantasies about Elisa’s life, her failed marriage and her recollections of her childhood, including the day he walked out on the family.

Sometimes we see these events as they are remembered or imagined by Luis, sometimes as Elisa’s very own fantasies. In between we see scenes of their week together at the farm.

Mr. Saura’s cross-cuts between reality and fantasy exemplify the sort of Art Luis says he so abhors. ”Elisa, Vida Mia” is a mostly passionless, intellectual sort of puzzle, with clues provided by classy literary and musical references.

The main reasons to see the film are the two leading performances. Mr. Rey is always an interesting presence, and Miss Chaplin, as in all of her Saura films, reveals qualities of feeling, control and beauty that no other directors have ever found.

Young Ana Torrent, of ”The Spirit of the Beehive,” is seen briefly as Elisa as a little girl. In the fantasies and flashbacks, Miss Chaplin also plays her own mother, which leads to a certain amount of intentional confusion about the relations of the father and the daughter.

http://keep2s.cc/file/2e8474a71a2c5/Elisa%2C_vida_m%D1%86%E2%95%9Ca_%281977%29-KG.mkv
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http://www.nitroflare.com/view/17B315A039DE062/Elisa%2C_vida_m%C3%ADa_%281977%29-KG.mkv
http://www.nitroflare.com/view/4B65A5673D087C4/Elisa%2C_vida_mia_%281977%29-KG.srt

Language(s):Spanish, English
Subtitles:English

Synopsis: A Woman abadoned by the husband, suffer and pass for differents adventures until she finds the love.
The film was never shoted in cinemas, only in TV -1985

http://keep2s.cc/file/e708bf6e0790b/Trailer_para_amantes_de_lo_prohibido.avi

http://www.nitroflare.com/view/7D68ACA4B8BC716/Trailer_para_amantes_de_lo_prohibido.avi

English srt:
http://www.opensubtitles.org/es/subtitles/3765943/trailer-para-amantes-de-lo-prohibido-en

Language(s):Spanish
Subtitles:English

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PHANTASMAGORIA OF THE INTERIOR is an audiovisual essay devoted to Walerian Borowczyk’s film THE STRANGE CASE OF DR. JEKYLL AND MISS OSBOURNE. Utilising the materials of the complete, restored version of the film, and its French language soundtrack, the film offers a new way of looking at, understanding and appreciating Borowczyk’s intensely cinematic art. Particular attention is paid to a painting by Vermeer of a pregnant woman, introduced early into Borowczyk’s film, and reappearing at key moments. Beginning from this painting – its content, style, and historical background – particular aspects of the film are explored: its unusual pictorial compositions; the mingling of sexuality with violence; and the association of men and women with (respectively) open and closed spaces. The film argues that Borowczyk brings a surrealist sensibility to his free adaptation of the Jekyll and Hyde story, especially emphasizing the transgressive, revolutionary role of the free-spirited Lucy Osbourne.

http://keep2s.cc/file/0fa2bca09d6cc/Phantasmagoria_of_the_Interior.avi

http://www.nitroflare.com/view/CF9691278777ED5/Phantasmagoria_of_the_Interior.avi

Language(s):English
Subtitles:English

Synopsis:
Nocturno 29 begins where “Don’t Count on your Fingers” left off: facing a blank screen and the materialness of the projection. It goes in depth into the future Eisenstein-like structure of Portabella’s films which do not advance through a lineal narrative, but rather by a succesion of semi-autonomous scenes and almost always unexpected links. “A series or suite of situations that, although apparently unconnected, always turn about a thematic development that gives body and unity to the story without resorting to the use of an anecdote for plot continuity” (Portabella 1968). Antonioni, Bergman or Buñuel come to mind in this, Portabella’s most “anti-bourgeois” film.

http://www.nitroflare.com/view/38600423DCA82E2/Nocturno_29_%28Pere_Portabella%2C_1968%29.avi
http://www.nitroflare.com/view/86451C1A6FB9DFC/Nocturno.zip

http://keep2s.cc/file/f99c1af91cccf/Nocturno_29_%28Pere_Portabella%2C_1968%29.avi
http://keep2s.cc/file/eda813138d610/Nocturno.zip

Brazilian portuguese srt:
http://www.opensubtitles.org/pt/subtitles/3483122/nocturno-29-pb

Language(s):Spanish
Subtitles:Brazilian portuguese,English

Synopsis
Cuadecuc, vampir is a dreamlike combination of documentary, narrative, experimental, and essay film styles and is one of the key films of contemporary Spanish cinema. Shot on the set of Jesus Franco’s Italian horror film Count Dracula, and featuring the star of that film, Christopher Lee, Vampir is both a sly political allegory about generalissimo Francisco Franco, a gentle homage to early films about the vampire legend, particularly Dreyer’s Vampyr and Murnau’s Nosferatu, and a work of subtle beauty and great richness.

http://www.nitroflare.com/view/86363745CB64179/Cuadecuc.vampir.1971.DVDRip.XviD.avi
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Language(s):English (silent movie, only a few words by Lee)
Subtitles:Spanish, French, none

Synopsis:

‘Julian, a middle-aged single doctor, meets his childhood friend Pablo again. The latter is back from Africa and has just married a beautiful young blonde, Elena. Julian falls in love with her and tries to seduce her, but she mockingly pushes him away from her. He then finds that Ana, his nurse, bears a troubling resemblance to Elena. He decides to gradually transform Ana into Elena…’
– Guy Bellinger

http://www.nitroflare.com/view/95CB57E6A85A712/Peppermint.Frappe.1967.DVDRip.XviD.AC3.avi
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http://keep2s.cc/file/0bb8382768e8f/Peppermint.Frappe.1967.DVDRip.XviD.AC3.avi
http://keep2s.cc/file/a0f5b526d3886/Peppermint.Frappe.1967.DVDRip.XviD.AC3.srt

Language(s):Spanish
Subtitles:English (srt)

Quote:
The abandonment and demolition of an old house, with all its furniture, its plentiful library and its full load of personal memories, becomes the starting point for this film, which tries to portray some of the aspects of the new world. The camera peeps into the real state furore, turned into a showroom and promise of financial gain or of the paradise; into financial investment brokers, gurus and preachers of success and mythology. Personal and collective memory, dreams and desires will be ultimately transformed into pure merchandising. Written by Mercedes Alvarez.

http://keep2s.cc/file/acfffdff55774/Mercado_de_futuros.avi
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Language:Spanish, Catalán
Subtitles:English, Spanish (idx/sub)

Synopsis:

‘Fernando, with his wife and life-long friend, Antonio, set out on a weekend together. Fernando begins to suspect his wife and Antonio of being in love, and his jealousy grows as he observes them in a situation he, himself, created.’
– BFI

Carlos Saura on Stress-es tres-tres:

‘Despite the enormous success of Peppermint Frappe I felt on edge. I had told a story in that film, in the sense that a story with a very precise narrative thread was told. The reason for my dissatisfaction stemmed from the feeling that the story had trapped me and I wanted to be free of it. So I made Stress-es tres-tres which was a sort of liberation.’

http://www.nitroflare.com/view/F6E7E33B1185526/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.avi
http://www.nitroflare.com/view/C2DFBB843E904BD/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.idx
http://www.nitroflare.com/view/6D03E13067C4B44/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.sub
http://www.nitroflare.com/view/F4D543BB7DE20EF/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.srt

http://keep2s.cc/file/67cf4b91e7933/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.avi
http://keep2s.cc/file/1bde3ec991c0c/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.idx
http://keep2s.cc/file/9845948f5793f/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.sub
http://keep2s.cc/file/bc1bb5020e4b7/Stress-es.tres-tres.1968.DVDRip.XviD.AC3.srt

Language(s):Spanish
Subtitles:English (idx/sub)

A young man is released from an asylum and returns home for revenge on his aunt and her three daughters, who had him declared insane in order to steal his inheritance.

http://keep2s.cc/file/b463fd2690037/A_Bell_from_Hell.mkv

http://www.nitroflare.com/view/F8F164F5AF15E0F/A_Bell_from_Hell.mkv

Language(s):English
Subtitles:None